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    <lastmod>2026-03-27</lastmod>
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    <loc>https://www.wolfgangullrich.com/blog/chasing-the-blood-moon-a-night-of-planning-waiting-and-wonder</loc>
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    <lastmod>2025-09-23</lastmod>
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      <image:title>Blog - Chasing the Blood Moon – A Night of Planning, Waiting, and Wonder</image:title>
      <image:caption>To make this possible, I used the app Planit Pro (Android). It helped me find the perfect spot where I would have a clear line of sight to both the castle and the rising moon. The location turned out to be a hillside opposite the ruins, offering not only the right perspective but also pleasing proportions between the moon and the castle.</image:caption>
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      <image:title>Blog - Chasing the Blood Moon – A Night of Planning, Waiting, and Wonder - Mach es besonders</image:title>
      <image:caption>As a creative touch, I composed the best shot of the castle and sky together with the moon from a later phase just before it left the Earth’s shadow. A little artistic freedom to enhance the memory of that night.</image:caption>
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    <loc>https://www.wolfgangullrich.com/blog/a-weekend-with-the-minolta-cle-analog-escapism-in-the-austrian-alps</loc>
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    <lastmod>2025-05-24</lastmod>
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      <image:title>Blog - A Weekend with the Minolta CLE: Analog Escapism in the Austrian Alps</image:title>
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      <image:title>Blog - A Weekend with the Minolta CLE: Analog Escapism in the Austrian Alps</image:title>
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  <url>
    <loc>https://www.wolfgangullrich.com/blog/the-magic-of-film-photography-and-how-it-changed-myself</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-04-14</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/675c5a8a8abe926f16928636/566be97a-37ed-455a-8d2f-9593b8433916/Still+2025-02-16+132516_1.1.1.jpg</image:loc>
      <image:title>Blog - The magic of film photography and how it changed my way of using digital cameras - Feeling the mechanics</image:title>
      <image:caption>The beauty of an all-mechanical lens with manual focus and aperture dial is a joy to use. The Voigtländer Nokton Classic 40 mm F 1.4 on the Minolta CLE is wonderful.</image:caption>
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      <image:title>Blog - The magic of film photography and how it changed my way of using digital cameras - Minolta CLE rangefinder with 28 mm and 40 mm frame lines</image:title>
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      <image:title>Blog - The magic of film photography and how it changed my way of using digital cameras - Mystic castle in winter on Ilford Delta 100</image:title>
      <image:caption>This scene was shot late in the evening. The fine grain complements the mystic scene.</image:caption>
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      <image:title>Blog - The magic of film photography and how it changed my way of using digital cameras - Hasselblad 500C/M with the waste level finder</image:title>
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      <image:title>Blog - The magic of film photography and how it changed my way of using digital cameras - Morning light on Kodak E100 slide film</image:title>
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  <url>
    <loc>https://www.wolfgangullrich.com/blog/my-first-three-rolls-of-film-in-the-hasselblad-500cm</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-03-06</lastmod>
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      <image:title>Blog - My first three rolls of film in the Hasselblad 500C/M - Hasselblad 500C/M</image:title>
      <image:caption>with the Carl Zeiss 80mm F2.8 Planar T* CF lens. The camera was manufactured in 1983 and the lens in 1987.</image:caption>
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      <image:title>Blog - My first three rolls of film in the Hasselblad 500C/M - Ilford FP4+</image:title>
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      <image:title>Blog - My first three rolls of film in the Hasselblad 500C/M - Kodachrome E100</image:title>
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      <image:title>Blog - My first three rolls of film in the Hasselblad 500C/M - Kodak Portra 400</image:title>
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      <image:title>Blog - My first three rolls of film in the Hasselblad 500C/M - Kodak Portra 400</image:title>
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  <url>
    <loc>https://www.wolfgangullrich.com/blog/how-to-show-the-full-picture-on-combining-landscape-scenes-with-intimate-details</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-02-03</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/675c5a8a8abe926f16928636/796f51db-08fd-479d-b034-fbc61f7356e1/Full+picture+-+Collage+2.png</image:loc>
      <image:title>Blog - How to show the full picture? On combining landscape scenes with intimate details - The impossible</image:title>
      <image:caption>Strolling through a fascinating landscape and enjoying the views has a totally different effect than looking at a photograph of the same landscape. So the  question is: How to show the full picture of a landscape in just one image? Is that even possible? Landscapes that fascinate me have a lot of space, a lot of air, a certain natural order, no or very few human influences. A wide view into the distance fascinates  me. The details that you see when you are within the landscape get lost. The human eye not only perceives the totality of the scene, but at the same time also many details. This happens completely unintentionally by scanning the field of vision captured by the eye. Of course, it is not possible to capture in just one image what the human brain generates in terms of visual impressions. And of course all other sensory perceptions such as smell, temperature, wind or the feeling of freedom when standing on a lonely mountain and seeing islands 50 km away are missing. Nevertheless, by combining several shots in a collage, you can - at least - show a little more than in just one picture of the entire landscape. As the creator of a collage, you therefore have the opportunity to interpret and you can focus on very specific features of the particular landscape that are important to you. However, what you focus on doesn't have to be the same as what the viewer would actually see and focus on if he would be there. It remains your interpretation and is certainly also influenced by your current mood, just as the mood of the viewer also plays a role when looking at the picture. The two examples shown here illustrate how the combination of images may certainly change the impression the viewer experiences when looking at the collages. Are you interested in seeing more examples or even ordering a print of a collage? Let me know in the comments.</image:caption>
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      <image:title>Blog - How to show the full picture? On combining landscape scenes with intimate details - Mach es besonders</image:title>
      <image:caption>Was auch immer es ist – die Art und Weise, wie du deine Geschichte online vermittelst, kann einen gewaltigen Unterschied ausmachen.</image:caption>
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  <url>
    <loc>https://www.wolfgangullrich.com/blog/shooting-a-role-of-ilford-hp5-in-an-old-ikoflex-build-in-the-1950s</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-02-03</lastmod>
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      <image:title>Blog - Shooting a role of Ilford HP5 in an old Ikoflex build in the 1950s - Zeiss Ikon Ikoflex</image:title>
      <image:caption>Do you want to slow down? Then you should shoot film. And doing so is even more fun (and more challenging) using an old camera. My father left me a Zeiss Ikon Ikoflex. It was not used for at least 40 years. I was not even sure if this camera would still work. So I tried. The Zeiss Ikon Ikoflex Ib (856/16)  was build in the years 1954 to 1957. The main lens is a Carl Zeiss Tessar with 75 mm f/3.5.  I loaded a role of Ilford HP5 Plus (ISO 400) 120 roll film. For metering  I used the exposure I got from my Sony A7RIII, adjusted it slightly using spot metering, zone system and imagination how I wanted the final image to look like. This process already worked very well for films I shot in my Rolleiflex SL35. Then I sent the film for developing and scanning to a lab. The results are pretty amazing. The shutter seems to work very well, the defects in the front lens element seem not to disturb the image quality too much. The Tessar is very sharp and gives a nice Bokeh if used wide open. The tonal contrast and the grain of the film is beautiful. Due to the large medium format the photographs are very sharp with finer grain when compared to the same film in full frame (135/36).   Scroll down and have a look at a few examples of my first roll of film in this wonderful camera.</image:caption>
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      <image:title>Blog - Shooting a role of Ilford HP5 in an old Ikoflex build in the 1950s - Mach es besonders</image:title>
      <image:caption>Was auch immer es ist – die Art und Weise, wie du deine Geschichte online vermittelst, kann einen gewaltigen Unterschied ausmachen.</image:caption>
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      <image:title>Blog - Shooting a role of Ilford HP5 in an old Ikoflex build in the 1950s - Mach es besonders</image:title>
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    <image:image>
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      <image:title>Gallery - Water Scenes</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/675c5a8a8abe926f16928636/77fa845c-0030-4f37-8f69-78adb209f3e0/_DSC5961-Bearbeitet.jpg</image:loc>
      <image:title>Gallery - Water Scenes</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/675c5a8a8abe926f16928636/bb0371b3-ed43-4f75-8720-1c3985131007/_DSC6072-Bearbeitet.jpg</image:loc>
      <image:title>Gallery - Water Scenes</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/675c5a8a8abe926f16928636/8400122d-11ae-48ba-9d7d-143903ff5e42/_DSC7422-Pano-Bearbeitet.jpg</image:loc>
      <image:title>Gallery - Water Scenes</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/675c5a8a8abe926f16928636/b68b3c76-677e-47ca-8bfa-212f41bb4e25/L1460121.jpg</image:loc>
      <image:title>Gallery - Water Scenes</image:title>
    </image:image>
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